Showing posts with label 2018. Show all posts
Showing posts with label 2018. Show all posts

The SDCC first-timers of 2018

6 AUGUST 2018




San Diego Comic-Con ended 2 weeks ago yesterday and I'm still getting first-timer reports. Why the delay? Maybe they were especially tired, these tender newcomers to our world. Most of the reports have been positive, mixed in with a few complaints - which is to be expected.

Here's what's different from last year: fewer political complaints. Either people heard fewer Trump jokes or they didn't mind the ones they heard. People also had fewer complaints about there not being enough to do (presumably because they had no other year to compare it to.) What surprised me - just as many line complaints as ever. Again, this may be due to not having any standard for comparison.


Chris

Like many of you, Chris wanted to hit SDCC for exclusives. Imagine his disappointment, then, at finally getting three single day badges and not getting a single exclusive. He was even more frustrated when he found out other attendees had been picked for multiple exclusives or autographs - and then went to an even higher level of annoyance when he saw people flipping them.

"I don't know what it was like before but at Baltimore CC I've usually been able to get what I want so this was a rude awakening. I had a list of stuff to get for friends and I didn't get any of it. I felt like a loser, going home without hardly anything. Assuming the same thing happens next year, I'm not going back, although I will go to a different Comic Con."


Sean

Sean is all about the parties. And so he was ready for SDCC to light up his nightlife - but it didn't! He says:"We went to six parties, that includes Ready Player One and the open attendee party and some bar parties, and they were all lame. Did not see a single famous person. Did not meet a single person who was someone. We did hang out with some guys from <redacted> Saturday night and that got crazy."

Sean was the only first-timer I've heard from in years who wasn't expecting the lines. "We left the lines for 3 offsites because it was too hot to wait. The Adult Swim state park was... pointless. I wouldn't do outside stuff next year, you waste your time and for what."

What he didn't do was the Con programming per se, such as panels. Those are on his agenda for next year. "I wasn't prepared this year, we took it kind of as it comes, but next year I'll have a plan. We'd spend all day trying to do something and wind up doing nothing. I wish someone had told us how much walking there was. There's no way to understand that till you get there."

Sean had only Thursday and Sunday badges but wants to try for a full badge for 2019.

Mari

I met Marisol and her teenage daughter last year; they told me they were dying to go to SDCC but had washed out in Open Reg three years in a row. This year they wound up getting jobs helping a local vendor in the Exhibit Hall for three days each, with a one day badge for the other day. This created a skewed experience where they were inside Comic-Con without the freedom to explore - but what they did see sparked their determination to go back next year as full attendees.

Mari's perceptions: "There was too much to do all at the same time. I found so many panels and speakers to go to but could only fit three in for my free day. I also got lost several times in the center. The staffers were not a help so I began asking other people with badges and that was how I got around. I did manage to buy a lot of Christmas presents and wound up spending a lot more money than I expected."

Mari's daughter wanted to go out more at night but didn't feel she could "just walk into a party." She also didn't understand where everything was. This seemed to be a theme this year; I suspect this happens when first-timers walk around the Con without using guides and blogs to find out what's happening and where. She thought she would just run into things, but only found the FX and Cosmos and Adult Swim activations behind the Con.

Despite my warning them, they were shocked by the lines and ultimately dissuaded by them for some top panels and events. I think I failed them by not explaining that even super long lines can fit into rooms more easily than you think. Seeing hundreds of people waiting for your panel can feel discouraging until you remember that room seats more than a thousand.

They were some of the most enthusiastic first-timers I met and the most committed to 2019.



 JT


JT's friend is an SDCC veteran who not only got him a Preview Night badge, but was able to steer him around the Con. Because of that, he made smart choices so they didn't waste a lot of time on lines for dud offsites and panels. He liked some of the gaming and animation panels but did not get into My Hero Academia as he hoped.

"This is not the Con for animation fans. Not if you are deep into it. The Crunchyroll panel was good but we're going to CRX 2018 in September so we'd see the previews anyhow."

Like Sean, his other disappointment was the nightlife. He had the impression that SDCC is full of opportunities to gay it up and then he arrived and well, it wasn't. It's true that local LGB bars used to throw more Con-themed events but even so, San Diego Pride the weekend before is really the time to come for that.

JT is the other first-timer who is definitely not coming back. "I feel like there are so many Cons now that the attractions and guests get spread too thin and it's harder and harder to find that one super Con that offers everything. I did think San Diego would have all this special stuff but while it's larger than other Cons it's not more unique than other Cons."

As you can probably tell, both Chris and JT are experienced Comic-Con goers, unlike my other first-timers. That seems to have colored their feelings about SDCC.


Zach and Katie

Zach and Katie were those rare first-timers who had no SDCC friends and no buying group assistance, but landed four-day badges in their first badge sale. In the following months, they learned how lucky they were - but also heard dire things about the hotel sale. So they booked a downtown room on their own at full rate.

Here's why: "I have an autoimmune disease and get tired easy. We didn't want to be too far away. Even so we had no idea how much energy it would take just walking to events and the convention center. And there was nowhere to rest so I would go into random panels just to sit down for a while. Friday AND Saturday night we went to bed early. I'm 31 but I felt like an old man! Next year we're going to Uber more and use those pedi cabs so I'm not busted by dinner."

Overall, they found Comic-Con "amazing" with "great energy" and thought most attendees were "such happy people, always willing to answer our questions." While they didn't get into every panel they wanted to, and were too tired to do as much as they hoped, they came away appreciating the camaraderie of the Comic-Con spirit.

They can't wait to go back next year.



Brea

Despite being her first SDCC, Brea knew exactly where she wanted to go: the Her Universe fashion show. "It was the highlight of my trip." She bought a jacket with what I believe are little anime characters on it (hard to tell from photo but it's pretty) and went to the Horton to see the My Neighbor Totoro screening. "I thought the show floor would be more about geek stuff, like a comic or collectible shop, so I was surprised by all the jewelry and clothes and old Hollywood booths. I thought I wouldn't be enough of a nerd to go but it didn't seem very nerd-oriented at all! I was also surprised to see as many women as men."

Brea's confidence was also bolstered by the cosplay she saw - specifically by the range of professionals and people who are just having fun with it. "I was afraid to make a fool of myself by dressing up as Wonder Woman, because I thought people would roll their eyes at me or I'd get it wrong. I will dress up next year for sure."

If there was one downer for Brea's trip, it was her hotel - a distant Best Western. "We heard it was almost impossible to get a hotel room so we did the Early Bird Sale to be safe. But it really sucked having to take shuttles back and forth and it restricted what we could do. I'd like to stay downtown if we go back." Good luck with that, Brea.

Sara

Sara almost didn't go to SDCC - I actually had to talk her into it. She thought one day (Thursday) wouldn't be worth it; I told her it would and she could do offsites on Friday, which is plenty of Con for anyone. She finally took the train down.

Her thoughts: "I'm glad I came. It's a bucket list kind of thing and I'm glad to have experienced it. However, the lines are just too long for the outside things like The Walking Dead and Jack Ryan. I didn't have time for that."

Some of the staffers or security guards were apparently rude to her and she thought the attendees kept pushing her in the Exhibit Hall. I think that's just the nature of the crowd. She also thought there should be more lounge areas for attendees and more meet-ups. Her other big complaint was the food inside the convention center being lousy. That tells you just how much of a first-timer to this type of event she is; crowds, overpriced pretzels and sullen staffers are par for the course.

Sara's current plan is to go back next year on Friday morning and do the entire weekend. 



And those are my first-timers for 2018. I'm done talking about San Diego Comic-Con until, oh, Returning Registration. Which may not be that far away - so stay prepared. It's never really over.


Was SDCC 2018 relevant for comic books?

26 JULY 2018






Yesterday at my comic shop, someone who's never been to SDCC told me he heard it's returning to its roots as a comic book convention. It seemed he'd heard of the pervasive calm defining this year's Con - and that he assumed comics would flood back in where Hollywood retreated.

Is that true? I don't think so. It could happen. But right now SDCC is sustaining the same low simmer of comic book content as the last few years. Obviously there were some great spotlight panels (very sorry I missed Emil Ferris) and of course, Drawn and Quarterly, Oni, Fantagraphics, Boom, Dark Horse and all the other usual suspects showed up with their trades. But let's be honest - you'll see those same publishers at many other Cons. So is San Diego Comic-Con still a magnet for comic book readers and collectors?

Apparently so - at least according to some vendors:

  • Alison from Drawn and Quarterly said yes, business was good. "We really like coming to San Diego become we see fans who come year after year. Sometimes they don't buy books all year and then stock up here, so they're really happy we're still here." They were selling a lot of Woman World by Aminder Dhaliwal and Berlin by Jason Lutes, but also books by Jillian Tamaki, Adrian Tomine, Tom Guald and others. 

  • The all-woman Kymera Press also said they were selling well, particularly their Pet Noir and Mary Shelley Presents titles.  

  • Chronicle Books was in their 12th year of being at SDCC. They reported good sales, particularly having "great success with our Game of Thrones Tarot deck, which is a real deck with 78 cards, licensed from HBO." (Arya is the Death card, obviously.) They were also selling a lot of A Day in the Life of Marlon Bundo, produced in tandem with the John Oliver show.

  • Dan from Skybound said they sold a lot of The Walking Dead four piece sets (they had bloody and color versions) and the Die Die Die figure sets. But comic books are still a big seller. "There's 100% interest. Comic books will always be a thing at San Diego. Skybound has everything - superhero, horror, true crime, action - just show up and ask someone what we've got."

  • Tomorrow's Publishing, which has books and magazines for pop culture enthusiasts and comic collectors, said they were selling a lot of Comic Book Implosion, which explores how DC almost went out of business in 1978. Their new pop culture magazine Retro Fan was also popular. They felt pretty secure about the future of comics at SDCC.

  • Comic Pop Collectibles reported brisk business by Friday morning. "We've had good business so far - our sales are better than last year. We had a strong Wednesday and a good Thursday." Their top sellers were more recent books and vintage toys, like an Argentina Batman utility belt from the 1960s ($300) and a Japanese Batman book and record set ($100.)

  • Emily Silva from Fantagraphics said they were selling a lot of My Favorite Thing is Monsters by Emil Ferris. "San Diego Comic-Con is still a magnet for comic book readers and indie comic fans but you have to search a little more. The true comic fans still find us and find their niche comic creators and so SDCC is fulfilling its purpose that way."

  • Joe from the Comic Book Legal Defense Fund said they went through Deadpool books quickly but sold well across the board. If you're not familiar with CBLDF, they help protect embattled books, fighting censorship and fighting for freedom of speech in comics. They were also confident about the number of readers coming to the Con: "San Diego Comic-Con is definitely still a community for comic fans."

So - yes, people are still buying comics at SDCC. But so many vendors mentioned collectibles as their top sellers that I wondered if most comic fans get their books elsewhere (comic shops, Amazon, Comixology) and spend their San Diego dollars on figurines and rare items.




We also had a few comic book announcements.

Remember Cherry, the dirty comic book you had to hide from your mom? It's back! Or it will be very soon. Technically I found this out a few weeks ago but I'm sharing it now.

Also not technically announced at SDCC but rather in the letters column of the new Saga: your favorite interplanetary family is going on hiatus for a year so Staples and Waid can "creatively recharge." But they also said they want Saga to hit 100 issues and we're only in the 50s, so it sounds like you can count on their return.

You may recall the Locke and Key kerfuffle at SDCC years ago when the pilot screened and it looked like we were getting a TV show based on the comics - and then we didn't. Well, the show is officially with Netflix now. Between that and Chilling Adventures of Sabrina and all the other comic shows - will Netflix return to wow us at SDCC 2019? I'd say yes.

Marvel is bringing out digital comics for Jessica Jones, Luke Cage, Iron Fist and Daughters of the Dragon. 

Very exciting: George Takei is doing a graphic novel memoir based on his time in a Japanese American internment camp. How timely.

Gail Simone is moving over to Catalyst Prime Universe of Lion Forge Comics. Which means... I guess we don't know yet.

Uncanny X-Men is coming back in November. Marvel is also bringing out a six issue run of The Vision from Chelsea Cain and a massive 24-issue Star Wars epic arc.

Also on the Star Wars front: IDW will spook up your Halloween with Tales From Vader's Castle, which will offer weekly horror stories from people like Robert Hack and Francesco Francavilla. So here for it.

Dan Parent is drawing all 6 issues of the Batman '66 Archie run and bringing out the third hardcover of the magnificent Die Kitty Die with Fernando Ruiz.

DC is getting psychological. As Kelly Sue DeConnick moves to Aquaman, her run will examine his roots and relationship with his mother; we're also going to delve into Joker's childhood in Justice League.

Grant Morrison is taking over The Green Lantern and steering it into space cop territory. He's also writing VR experiences for Magic Leap, who is partnering with MadeFire for mixed reality comics.

If you were curious what it will cost to subscribe to DC Universe, it's $7.99 a month. I feel like people are getting tired of shelling out for Netflix, Crunchy Roll, Hulu, etc, which add up collectively - so DC will have to make it worth our while.

Vertigo will supposedly revive itself with a Sandman sequel that will be more like the original, exploring how Dream influences real people's lives. Other titles include the Mexican-themed Border Town, Hex Wives and American Carnage, which looks at crime and white supremacy.

Jaime Hernandez is going to continue doing Love and Rockets stories about Maggie and Hopey's pasts, including more stand-alone Hopey stories. Fantagraphics also brought out a beautiful big Studio Edition hardcover of his work, if you missed it.

Scott Snyder calls The Batman Who Laughs the "darkest, scariest Batman story I've ever done." In addition to the Three Jokers and Batman/Joker: Deadly Duo books, DC seems to be sticking with what they know.






I think if you're a hardcore comic nerd, you already know that San Diego Comic-Con isn't #1 on that front anymore. Other Cons deliver more titles, newer talent, more innovative work. But SDCC does still offer a basic level of panels, back issues, signings and discounted trades - and you can still end up carrying home bags of plunder if you look hard enough.

San Diego Comic-Con 2018: Review

23 JULY 2018




Remember those days when SDCC felt like a fever? You caught it and then you burned to do every offsite and see every Hall H trailer and go to every party. You prepared for it all year. No matter how stressful the badge sales and hotel reservations were, San Diego Comic-Con always seemed to deliver once you arrived. And it was a fever that could sustain itself for years.

But is that still true? Because it seems to me our collective fever is cooling off. More than any other year, I heard a lot of misgivings and grumblings - namely about the lack of studio presence but also about a shared sense that we attendees weren't being catered to like we had been in the past. Superfans have always liked that feeling that Hollywood needed their fandom - that Marvel or HBO showed up at SDCC in part as a token of appreciation. Here, have this autograph, this t-shirt, this photo of you with a zombie or dragon. That's the kind of experience a lot of attendees crave at SDCC and there's no denying much of it has gone away.

There was a quiet to Comic-Con this year. On Friday someone said to me, "Every night feels like Tuesday night." He meant that there was a persistent feeling that Comic-Con was about to start, that we'd lurch into the real show the next day. But that subdued feeling was the real show.



If it sounds like I'm complaining, I'm not. I had a good Con. My inner Eeyore was strong starting out but I wound up enjoying my panels and making some new friends. And I'm not alone - quite a few attendees loved the shorter lines, the easier access to panels, the extra hours they had every day that they used to spend chasing other things. Even the Gaslamp felt oddly empty. (I was in the Whiskey House one night where it was almost eerily slow, to the point you never would have believed it was Comic-Con outside.)

But other attendees felt deprived of the bombast and glory they used to soak up for hours on end in Hall H or Ballroom 20; some (okay, many) were peeved over not getting any exclusives and quite a few reported boredom with the offsites. Others (I'm in this camp) just didn't find much they wanted to buy in the Exhibit Hall. Friends who normally do a decent amount of networking and minor deal making at SDCC told me they talked to barely anyone, accomplished little.

But even if there was a hollowness this year, I don't think it's necessarily fatal or permanent. This might have just been an off year. We've known for a while that the marketing ROI wasn't great for Comic-Con and some studios and publishers were cutting back on the swag and events. And with some of the bigger players stepping down, others will have an opportunity to step up. SDCC will continue to evolve. If you've been going for a while, you know a sense of ownership over this Con is futile - change is inevitable and some of the upcoming changes may be welcome ones.




Okay, let's talk about the Con specifics. 

Panels

You may disagree, but I thought the quality was still there. You may not have gone to a Game of Thrones panel but you certainly had your pick of various shows and upcoming films to bask in. There were the usual creative how-to panels (although I think the number of questing young writers and artists that go to SDCC specifically for networking/panels has slackened) and the science panels were decent. My friends were happy with the kid-oriented offerings.

And let's face it - the lines were beyond friendly. We still had them, especially for Indigo and Hall H at times, but overall this was a very accessible year. I overestimated my need to line up several times. However, there were cases when CCI apparently underestimated the need for a bigger room. I heard several complaints about the Black Panther Costume Design panel, which was scheduled in a room for 280 - and then over 1,000 attendees lined up.

If there's any complaint to be made, it's that maybe we see too many of the same panels each year. I think SDCC could use some new blood and new topics.


News and Gossip

Oh look, James Gunn was fired from the Guardians franchise for tasteless pedo jokes on Twitter from a long time ago. This didn't actually seem much of a controversy, perhaps because attendees already have controversy fatigue and were just looking to enjoy Comic-Con. In fact, the people I know were more perturbed by Johnny Depp's surprise appearance and the attendee who creepily asked Amber Heard to undo his bondage outfit during Aquaman Q and A.

We're getting a feature-length movie of Steven Universe. That's nice. And remember how Star Wars: Clone Wars got cancelled? It's coming back. We also may be getting a reboot of Buffy The Vampire Slayer.

On the trailer front: Aquaman's trailer was wildly anticipated - but didn't surprise much. Nightflyers and Disenchantment seemed to get mixed reviews. However, Deadly Class, Shazam and Godzilla all seemed to get people jazzed. So did footage from Venom and It Part 2.

I'm not sure why everyone seemed stunned that Andrew Lincoln/Rick is leaving The Walking Dead. Didn't we already know that?
 

Some people seemed really appreciative of the drunk Rick and Morty show behind the convention center - and other people didn't. 

Line controversies! Despite lines being mostly easier this year, SDCC was not without its rumors and complaints. What I heard: some panels didn't have an ADA line; some ADA lines were formed and then forgotten; attendees were kept out of Hall H despite empty seats; attendees cut in front of all the good people who waited obediently in line and nothing was done about it!

Comic book news: I'll do a separate post on that.






Offsites and Events

Yawn. I mean, some were good. Some were humdrum. The Taco Bell experience should serve as a lesson to really understand what you're waiting for before you wait for hours - because in this case, it wasn't much. The Castle Rock house supposedly wasn't as scary as people wanted (despite passing it 6 times, I never went in) and people seemed to do the Adult Swim park and Cosmos dome without much feeling either way. FX usually generates middling grades with their AHS and other activations on the Hilton Bayfront lawn and that was the case this year. I heard mixed reports on Jack Ryan and the Walking Dead and Cartman's Escape Room.

As for official parties, I only went to the Mars/National Geographic party, which was good. The others seemed to be business as usual based on what I heard. 2 of my first-timers adorably thought these parties would be full of celebrities, so apparently I failed to adequately distinguish for them between the actual Hollywood parties (that most of us will never get into) and the parties for attendees which are - surprise! - full of the same people you saw in the Exhibit Hall that day, but now with a DJ and special lighting.

I do feel Conan was the MVP of the Con. Their different TeamCocoHouse offerings gave attendees something to do if they didn't get tickets to the tapings. And while many people are disappointed about not getting tickets, at least the team didn't repeat the mistakes of last year and leave people lined up pointlessly for hours/overnight. That said, when I look at who got tickets (sometimes for every show they requested) and who didn't (year after year now), it's hard not to notice a pattern. I looked around at the Friday audience and it did seem to be a younger crowd than you traditionally see at the Con overall.





The Future of Comic-Con 

Overall, I think San Diego Comic-Con is finding its feet again. Its original heydey as a major geek destination rolled into years as a pop culture/celebrity worship fest - and now it may be settling into something balanced between the two. I don't think Hollywood will completely withdraw. I think our days of being drenched in swag and surprise concerts and elaborate activations may be over, but we'll still receive a more mitigated version of that. And if SDCC regains a reputation as a more navigable, nerdy experience, some of the comic book nerds and gamers and collectors who've walked away may come back. (Well, probably not the collectors, not anytime soon.)

From my perspective, this shift is a good thing for those of us who'd like an easier badge and hotel sale, less anxiety and more chill. But I know some of you don't like it.

For the past few years, I've heard many nerds talk about Emerald City Comicon and Dragon Con as their new favored Cons. However, in 2018, I'm hearing more mainstream attendees talk about New York as their new target. I thought it was just my friends at first but at the Con this weekend, multiple strangers all said the same thing - they're looking eastward at ReedPOP's behemoth convention. Partly that's the greater ease in nabbing a badge and room, but it's also a matter of being attracted by the sheer size and spectacle of New York Comic Con - which is the allure San Diego used to have a monopoly on.



In many ways, there was a ghostly quality to this year. If you remember the old days, San Diego Comic-Con felt like a haunted house. You could still feel how it used to be, but that old magic was more of a phantom than anything tangible. You had to appreciate what was available and move on.

I still think SDCC has a lot to offer and I'm still looking forward to next year. If you're not, I understand - but I hope you do find something else that thrills you just as much. And I hope that everyone remembers that Comic-Con may not always dish up exactly what you hoped for, but it will always offer other appealing experiences. Sometimes it's just a matter of leaving your comfort zone behind to find them.

See you at Returning Registration, nerds.

Goodbye, SDCC 2018

22 JULY 2018






San Diego Comic-Con 2018 is over. By now, many of you are on planes or various highways or already home doing laundry and admiring your new stuff. Are you glad it's over? Sad? Or too tired to feel either way?

I'll publish a proper summary of news Monday or Tuesday. For now, let me know what you thought about this Comic-Con. I heard a lot of gripes about the lack of substance this year; let me know if you felt that way, if you shrugged it off and found other things to value, or if you thought it was always going to be spectacular - and then it was. Or maybe you anticipated something magical that didn't happen. There's always an element of surprise. And there are always new things to discover - so if you didn't find anything incredible this year, maybe you weren't looking hard enough.





Over the next few days, I'll publish my 2018 summary, a list of comic book news updates and of course, my collection of first-timer stories. (I only have 6 of those so far, so if you want to add yours to the mix, email me at sdccguide@gmail.com.)

Okay, I'm off to decompress with pad thai and Buzzfeed Unsolved. I hope you had fun this year. I hope you made new friends or hung out with old ones or found a new interest. I hope all your months of anticipation and your badge sale battles and hotel room tradings paid off in the end. That you remembered what you originally loved about San Diego Comic-Con. But mostly I hope to see you at Returning Registration a few months from now, so we can start the whole process over again.